Archive

Tag Archives: 7th

7am Arivu, since its inception had been a red hot project watched closely by geeks. And this fever reached an all-time high over last week with the tickets selling like hot cakes. What does the movie deliver? Up to the expectations? Read this.

The movie revolves around a bio-tech research professional Suba Srinivasan(Sruthi), specialized in DNA memory and operations is on a mission to trace Bodhidharma, a Tamil prince in the 6th century who went to China, and made a revolution in the medicine and martial arts there, and activate it in his descendant for the world’s good. What comes up against her? Does she make it forms the rest of the story.

The story does sound good, but the treatment goes haywire. The makers know the story has the potential of an intelligent thriller, but made it so SO preaching and not self-explanatory. Audience are intelligent now! We dont need 3 scenes for 1 to make us understand. Neither way this is not an Inception for us to be confused.

The screenplay is terrible. My strong feeling is they got too fascinated about Bodhidharma, and on the way forgot about everything else, including the screenplay. It is almost like 3 acts over a film. First 20 min of decently shot history, then a love story that runs for an hour, then the action part for the rest. After the interval, you know what’s going to happen in the next half, everything! And 6 songs, provide enough hurdles over the viewing experience. Something seriously went wrong on the editing table.

Coming to the Tech aspects, its Ravi K Chandran all the way. Be it the songs or the action sequences, he makes everything look as they have to be and something more!  China looks great and his cinematography elevates the 6th century portions to a higher podium.The background score is just okay. Art by Rajeevan marvels in the Yamma Yamma number.

For an otherwise boring film, the performances are a welcome relief. Suriya is just as usual great. Sruthi impresses big-time even though she has to improve her voice modulation a lot, pretty bland sometimes. The villain Johnny Nyugen does a fantastic job, menaces through the film. Great to see, all 3 characters share enough screen space without hindering the character’s nature

Throughout the film, you might be reminded of Dasavatharam, the Kamal starrer…the themes and the format of the film! Great scenes interpersed between boring ones, sample, the filming of the way the epidemic spreads is brilliant. The film though has great things to say, but falters in the medium, notably the Tamilians and their significance part, and how scientifically developed we were.  Tamizh Tamizh Tamizh, you can’t get a clap everytime! 😉

I go for a 2.5/5 for 7th Sense. We expect better stuff from Murugadoss and the combo.

P.S: My friends send their best wishes to the team, dedicate a scene that plays in their film, Sruthi Haasan scene shouting at her professors, muted dialogues no? 😀

P.S2: Must say, I didnt like the voice overlay in the 6th century portions, and the familiar voice made it even more sloppy. But what poise from Suriya, Bodhidharman stands in front of you!

This is one album most would be expecting for so many reasons like Harris’s first after Ko and for the ARM-Harris-Suriya combo.
Expectations are sky-high. Lets see whats delivered.

1. Oh Ringa Ringa!

This one’s a typical HJ hip-hop number ranging from the likes of Pudhu Pudhu from Dhaam Dhoom
and Damakku Damakku from Aadhavan (incidentally a Suriya-HJ intro number). The lyrical side takes
a setback for the composer to experiment with the audiography, great mixing. Will reach better with
visuals, shot in bustling Chennai Localities, a first for a biggie.
MIScore:5/10

2. Mun Andhi

Very melifluous. Pleasing. Karthik elevates an otherwise familiar Harris melody to a new quantum.
Visuals by DOP Ravi K Chandran will take it even further for sure. Sureshot hit.
MIScore:8/10

3. Yellae Lama

Intensely energetic! Great singing from the ensemble vocals. Sruthi Hassan impresses again after
Adiye Kolluthe from VA. This would be the ‘Oru Maalai’ for 7am Arivu. Addictive too.
MIScore:6/10

4. Yamma Yamma

One song, Harris decides to tone down things and bask in the glory of SPB! Its out and out the legend’s
piece of the gone-out-of-love boy’s melancholy.  Wake-up call for Kollywood to give good numbers that really
bring the best out of him. The toned down BG helps a lot in conveying the song’s sense. Swetha is apt.
One of the best in the album.
MIScore:8/10

5. Innum Yenna Thozha

One of the few lyrically brilliant songs that come once in a blue-moon in here. Pa.Vijay’s the best when
it comes to writing inspirational numbers, this one’s dedicated to the Srilankan Tamils supposedly.
An excerpt:
‘Panimootam vandhu padindhenna, kadum pagalavan maraiyuma?
Pagaimootam vandhu paniyamal engal iru vizhi uranguma? ‘

Music-wise, blaring techno could have avoided, the composer could have resorted to softer notes.
Balram makes a great comeback after his extremely appraised Kaatrin Mozhi . A low point in the
album, yet a great listen. How’s that? 🙂
MIScore:6/10

6. The Rise of Damo

Last number’s the crest of the album, the icing on the cake.
Extremely authentic Oriental music with great singing by Hao Wang and lyrics by Madhan Karki,
that conveys a sense of mystery. Music sounds like a rhyme (A.B.C.D….EFG 😛 ) first and then proceeds to
amazing orchestration with apt choice of instruments, and the Mridangam interludes add a new dimension to
this number. Defines a new genre to Indian film music, easily the pick of the album.
MIScore:8/10

Summing up,

Upside: Orchestration; Apt choice of singers, instruments ; Experimentation
Downside:  Lyrics in few cases; Familiarity

7am Arivu is totally a great album, definitely worth buying.

I go with a 3.5 on 5 for this..A 10 pointer rating will be given after polling soon.

MIRating: 3.5/5

P.S: Have a look at the Chinese-Tamil lyrics at http://madhankarky.blogspot.com/2011/09/song-zhe-yindu-nanzi.html .

P.S2: